Author: N. P. Ryan

T.A.T. (There’s Always Time)

/ N. P. Ryan

T.A.T. (There’s Always Time)’s debut EP Breathe prowls into life with the track of the same name; darkly moody and Bauhaus-esque in tone it stalks like a cold shadow carrying a jagged-edged knife. Sharon Watts—who vocally touches on Polystyrene-levels of pitch and passion—sings of escaping a coercive relationship with a conviction leaving no doubt the lyrics come from experience; a feeling of personality erosion and suffocation captured perfectly in the focus and obsessive mantra of Breathe that’s sung in the name of believing in the self to ride out the storm of anxiety the manipulative obsessive can force to run rampant in the innocent. Continue reading →

Paying Homage to Hendrix via HazeHound’s Macrodose

/ N. P. Ryan

Info on HazeHound is thin on the ground. Other than a bandcamp account no online presence can be found; but don’t let that stop Macrodose being an album of monumental proportions.

Beyond short opener ‘Hell is real’—a track feeling very much lifted from a 60’s sci-fi movie—title track ‘Macrodose’ shifts the album into its overall groove: an utterly mind blowing amalgamation of Jimi Hendrix, Black Sabbath, Clutch and Radio Moscow. Continue reading →

Chilling with the Rampaging Bahboon’s Thunder Ape

/ N. P. Ryan

Bahboon’s Thunder Ape is a release of outstanding proportions; marking the Japanese band’s ten year anniversary there’s an instant relationship to be found with the album due to the deep rooted cohesion in its flow; while simultaneously every turn along the way expands the river’s banks, rises from the waters with religious purpose to push the spire on the Church of stoner ever higher and wider. Continue reading →