Somewhere in an isolated corner of Wales there is an unassuming shed with a humble wooden door and simple brass knocker.
It’s unlikely anyone would ever stumble upon this rudimentary little shelter, but if they did the sort of welcome they could expect is indicated by the presence of a lock.
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Having tentatively recruited a drummer, David Wachsman was in the final stages of assembling and launching musical vision SÖNUS when Covid-19 and Lockdown struck.
Undeterred (and suddenly with a lot more time on his hands) he decided to learn anything he didn’t already know—a combination of tech, software and instruments—and go it alone.
“Pre-empting the Covid-19 pandemic and ensuing lockdown, Guillotine Dream sequestered themselves in a gloomy cavern in order to create their second full-length opus Damaged and Damned. When this didn’t work, they decided to use a recording studio instead.” Continue reading
Timbuktu: located at the edge of the Sahara Desert nine miles north of the Niger River in the country Mali; though only so since incorporated into what France considered its colony of Mali in the 1890s.
Map by Joe LeMonnier.
Starting as a seasonal city it became permanent in the 12th century; from there soon a major—and so extremely rich—trade hub dealing in slaves, salt and gold in particular.
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During Covid-19 there’s been some incredible music made that without lockdown would never have happened; Brigitte Bardon’t’s Pink is one of those albums with bells on.
My Silent Wake, formed 2005, are generally listed as Gothic/Death/Doom. Damnum Per Saeculorum, the band’s eleventh full-length release, is described as Continue reading
I’ve never written an album review before and start questioning volunteering to given this is a serious piece of work being released and I don’t know a single name given as inspiration in the accompanying review package notes: Continue reading
