Into ‘Lucifer’s Doorway’ suggests Hell has frozen over in awe of the complexities that follow:

‘Evil Hand’ has a doom sound rooted in the 70s that equally sounds fresh as a daisy and sometimes surprisingly light as a feather to boot, elevated not only by the vocals sitting eerily perfect at the top of the music, but also the intricate solos that hedonistically wind through the epic and expansive melodies to create a compelling and contemplative swirl. Continue reading →