Excuse Me, Love: The Hot Flab Debut is a Scorcher!

There are some albums that don’t merely convey a vibe or message, but also a time and place. Some utterly outstanding albums are only the first two. When one is all four, though, it becomes something . . . magical; something with the spine-tingling power to take the listener back to that time and place like being stood there breathing and feeling the very same air.

Excuse Me Love is one of those albums. Continue reading

Down with Split Dogs at Dean Lane

When first heading to punk gigs in Bristol and following the relevant social media, I fast became aware of a buzz around local band Split Dogs.

Such was that buzz my first attempt to see them live ended in failure when arriving at The Plough only to find a long line-up outside of people waiting for others to leave—which was unlikely—so they could get in.

It wasn’t until some time later that I managed to catch them at the Chelsea Inn. There they delivered a set of slick frenetic punk exploding with an energy knowing no bounds, producing so much joyous sweat the flood warning for Bristol seen earlier in the day online and making no sense at the time—the weather was fine—suddenly did in bounds. Continue reading

Empress Piru: normalize yourself

‘all man panel’ opens with a solitary guitar that initially sounds Spanish before the rest of the band come in and things take on a Persian flavour. The incredible sound is in part thanks to Empress Piru having two bassists, and puts in mind the likes of Kourosh Yaghmaei, Faramarz Aslani and Omar Khorshid; a vibe of the latter in particular permeating the album despite each track having a distinct character. The picture painted is one of night, heat and sand; real fires for light and the shadows they cast dancing large across the side of tents a cat moves stealthily next to. Continue reading