And what’s more it comes in poetic form!
Header image (cropped from original) showing the Rolling Stones on stage by Jim Pietryga, 2015, licensing. Continue reading
Music
Girls Like Us: Bitter ‘Til The Bitter End; a review
Girls Like Us (GLU) released Bitter ‘Til The Bitter End the same weekend I caught the band live at the Chelsea Inn, Bristol.
It was a blistering set, part of another top night there (In With the Inn Crowd), during which I was about to turn to a mate and say, ‘killer bass line’ only for him to beat me to it with the exact same words.
The debut album certainly lives up to its name with lyrics plenty raw enough to suggest lived experience fuelling its theme of two-timing, dickhead boyfriends/blokes more often than not from entitled backgrounds. Continue reading
MOOR: Viper Kingdom; a review
MOOR’s first full length album Viper Kingdom opens strong and solid with track one ‘Lepers Among Us’ and only goes the direction of strength to strength from there.
Track 2 ‘Viper Kingdom’ would be a massive crowd pleaser live for sure and is my pick of the album; coming in at 7.02—the longest track by almost two minutes—it puts all aspects of MOOR’s talents on display, be it a straight-up demonstration of black metal credentials or showcase the unique aspects Halfdan Svarti brings. Continue reading
White Hills: Mitosis; an interpretation
Mitosis is an album that swings from completely submerging the listener within its own narrative realms to the rhythms synching the mind with any task at hand like an internal soundtrack of one’s own making so seamless it almost isn’t there because it feels like it always is.
The ability of Mitosis to detach the listener from itself while simultaneously never leaving their side is all the more incredible when knowing the meaning of the album’s name and song titles (something I didn’t on first listen).
To quote from the album’s bandcamp page:
‘MITOSIS (/mai’toUsis/) is a part of a cell cycle in white replicated chromosomes are separated into two nuclei. Cell division by mitosis gives rise to genetically identical cells in which the total number of chromosomes are maintained.’
In With The Inn Crowd
One thing I never expected to hear at a punk gig: a shout-out for ex-footballer Gary Lineker, and more so one well received. Such is the embarrassment of messes the BBC has made in dealing with Lineker’s Tweet of disgust for insidious government policy and terminology, the player I once jeered from the terraces when watching play against Chelsea—I still remember one glorious miss vividly—has become a hero of our times.
Coming from openers Volatile Idea (missing from flyer below), it was not only warning to the fascist elite that their days are numbered—for they definitely are when ex-footballers used to a lavish lifestyle (ish; there wasn’t the same money in football back in the 80s/90s) see eye-to-eye with those that same elite would consider society’s most ‘radical’—but also the first memorable moment from a night full of them.
KOKOROKO Drops Debut Video
KOKOROKO has just dropped its first video to compliment debut album Could We Be More; one that I find super dreamy and easy to either drift off in or find peace of mind to focus (though the first does sometimes win the day when it’s the latter I’m after, it should be said).
The video combines three of the albums songs—’Ewà Inú’; ‘Home’; ‘Age of Ascent’—and given the vibes it creates for me, I was intrigued to find out how the band had chosen to represent the music visually.
Stunningly, and contrary to my thoughts, somewhat tumultuously, by showing various aspects of life in the quite incredible Makoko, an area of Lagos, Nigeria, often called Africa’s Venice.
Will the Real Chas ‘n’ Dave Please Stand Up
I found out something the other day about one of my favourite songs that blew my mind: cheeky cockney duo Chas ‘n’ Dave were part of the backing band for Labi Siffre’s ‘I Got The…’. Continue reading
When Debbie Sang to Angels
When recently writing a post about three of the songs Blondie covered, I included my experience of seeing Debbie Harry live; in the process discovering the somewhat unique circumstances in which I did are barely, if at all, mentioned anywhere on the internet. Continue reading
Plans, Trains and Lovers in Turmoil: the story of two
Two lovers part on bad terms with an agreement to meet in a year to see if they have a future. Both travel to the meeting on the London Underground, but one is delayed without any way of letting the other know.
Failing to arrive in time could be plenty enough to seal their fate. Do they make it and what caused the rift to begin is told in a sequence of poems from the two perspectives.
The poems originally formed the main body of a review for Ian Arkley’s album ‘two’, the music inspiring a poetic narration rooted in my experience of using the Underground before leaving London at the end of the last century; the tracks remain available in this post, also providing the name for each verse. Continue reading
A Bandcamp Friday Beginner’s Guide to Sahel Sounds
Every Bandcamp Friday the lovely people at Sahel Sounds make the whole back catalogue available at Name Your Price; a great opportunity for new comers to the label, especially in this cost of living crisis when picking up a new album for free if needs be might just be the difference between maintaining mental health and preventing a breakdown.
But with so many albums to choose from and all by artists never heard of before, where to start? Continue reading
N. P. Ryan 