‘Hider’ entices the listener along a path leading towards an enchanted forest; the opening vocals and guitar the deep green vines that intertwine all across the way. The trees can be seen, but are behind a translucent veil that hangs like white candy floss and sparks here and there with specks of gold. When the veil is reached and passed through Continue reading
Gothic
Lost in Memories, Lost in Grief: Welcome to Zen Metal
If bands were alcoholic beverages My Silent Wake’s latest outing Lost in Memories, Lost in Grief would be a fine vintage of red: subtle, yet full bodied with a woody/smoky aftertaste, the grapes having been specifically picked from a glorious vineyard somewhere in the Tuscany region.
Lost in Memories, Lost in Grief doesn’t need to Continue reading
MOOR: Viper Kingdom; a review
MOOR’s first full length album Viper Kingdom opens strong and solid with track one ‘Lepers Among Us’ and only goes the direction of strength to strength from there.
Track 2 ‘Viper Kingdom’ would be a massive crowd pleaser live for sure and is my pick of the album; coming in at 7.02—the longest track by almost two minutes—it puts all aspects of MOOR’s talents on display, be it a straight-up demonstration of black metal credentials or showcase the unique aspects Halfdan Svarti brings. Continue reading
Guillotine Dream: Damaged and Damned; une Critique
“Pre-empting the Covid-19 pandemic and ensuing lockdown, Guillotine Dream sequestered themselves in a gloomy cavern in order to create their second full-length opus Damaged and Damned. When this didn’t work, they decided to use a recording studio instead.” Continue reading
N. P. Ryan 