Friday 29th August I set off to see the last ever live performance of UK doom legends My Silent Wake. It was taking place the following day at the One For Sorrow festival @ the Junction, Plymouth.
The 20th February, 2026, will see the release of BELZEBONG’s The End Is High EP; in the meantime track ‘420 Horseman’ is available for a listen and to download for pre-orders. Continue reading
Collapsed Vein’s Pain Communion opens with layers of slow methodical soul crushing dives, the sound—rich and full— immediately immerses the listener in the world that Kevin George has sought to sonically create and more so has achieved with driving clarity; something I can write with assuredly thanks to Continue reading
A Morbid Parody of Justice opens with ‘Pornocratia’; a slow methodical melodic track that carries itself like a warm wind drifting across Spanish plateaus. A sombre trombone adds an element of Western Movie stand-off that subtlety gives the Iberian breeze greater gusto.
Words for all intents Continue reading
The last few days have seen two bands from UK’s punk scene drop videos so scorching hot they more than make-up for the utterly dismal summer. Continue reading
If bands were alcoholic beverages My Silent Wake’s latest outing Lost in Memories, Lost in Grief would be a fine vintage of red: subtle, yet full bodied with a woody/smoky aftertaste, the grapes having been specifically picked from a glorious vineyard somewhere in the Tuscany region.
Lost in Memories, Lost in Grief doesn’t need to Continue reading
Info on HazeHound is thin on the ground. Other than a bandcamp account no online presence can be found; but don’t let that stop Macrodose being an album of monumental proportions.
Beyond short opener ‘Hell is real’—a track feeling very much lifted from a 60’s sci-fi movie—title track ‘Macrodose’ shifts the album into its overall groove: an utterly mind blowing amalgamation of Jimi Hendrix, Black Sabbath, Clutch and Radio Moscow. Continue reading
Bahboon’s Thunder Ape is a release of outstanding proportions; marking the Japanese band’s ten year anniversary there’s an instant relationship to be found with the album due to the deep rooted cohesion in its flow; while simultaneously every turn along the way expands the river’s banks, rises from the waters with religious purpose to push the spire on the Church of stoner ever higher and wider. Continue reading
Warrior Pope’s performance at the Chelsea Inn was something to behold. Vocalist / trombonist David Burke bringing a charisma to the stage the like of which rarely witnessed and is perhaps most reminiscent of Continue reading
Into ‘Lucifer’s Doorway’ suggests Hell has frozen over in awe of the complexities that follow:
‘Evil Hand’ has a doom sound rooted in the 70s that equally sounds fresh as a daisy and sometimes surprisingly light as a feather to boot, elevated not only by the vocals sitting eerily perfect at the top of the music, but also the intricate solos that hedonistically wind through the epic and expansive melodies to create a compelling and contemplative swirl. Continue reading
N. P. Ryan 