Excuse Me, Love: The Hot Flab Debut is a Scorcher!

There are some albums that don’t merely convey a vibe or message, but also a time and place. Some utterly outstanding albums are only the first two. When one is all four, though, it becomes something . . . magical; something with the spine-tingling power to take the listener back to that time and place like being stood there breathing and feeling the very same air.

Excuse Me Love is one of those albums. Continue reading →

Menstrual Cramps Drop Class War Video

The video for ‘Class War’ has been released to coincide with The Menstrual Cramps’ mini tour of the UK. The track starts with plenty of punch, only hitting harder and heavier from there as in touches numerous elements found under the punk umbrella—from upbeat ska to downright dirty rock ‘n’ roll riffs—before reaching crescendo with a bruising bout of hardcore. Continue reading →

Down with Split Dogs at Dean Lane

When first heading to punk gigs in Bristol and following the relevant social media, I fast became aware of a buzz around local band Split Dogs.

Such was that buzz my first attempt to see them live ended in failure when arriving at The Plough only to find a long line-up outside of people waiting for others to leave—which was unlikely—so they could get in.

It wasn’t until some time later that I managed to catch them at the Chelsea Inn. There they delivered a set of slick frenetic punk exploding with an energy knowing no bounds, producing so much joyous sweat the flood warning for Bristol seen earlier in the day online and making no sense at the time—the weather was fine—suddenly did in bounds. Continue reading →

Girls Like Us: Bitter ‘Til The Bitter End; a review

343967369_256723436738244_6031534892293599719_nGirls Like Us (GLU) released Bitter ‘Til The Bitter End the same weekend I caught the band live at the Chelsea Inn, Bristol.

It was a blistering set, part of another top night there (In With the Inn Crowd), during which I was about to turn to a mate and say, ‘killer bass line’ only for him to beat me to it with the exact same words.

The debut album certainly lives up to its name with lyrics plenty raw enough to suggest lived experience fuelling its theme of two-timing, dickhead boyfriends/blokes more often than not from entitled backgrounds. Continue reading →